You better believe it: ‘The Wiz’ is here

Posted 9/10/11

Click your heels together three times and head into the Dayton Street Theatre in Aurora for a charming, if a bit uneven, two hours of entertaining …

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You better believe it: ‘The Wiz’ is here

Posted

Click your heels together three times and head into the Dayton Street Theatre in Aurora for a charming, if a bit uneven, two hours of entertaining music, dance and storytelling.

If you have a child in tow who isn’t familiar with Frank L. Baum’s “Wonderful Wizard of Oz,” visit your neighborhood library or bookstore first and connect with Baum’s magic, because it is a challenge to follow the classic tale as it unfolds onstage.

Expect an evening of live-wire, rocking music, some great voices and a humorous retelling of that magical story that belongs in everyone’s literary baggage.

Bernie Cardell has been inventive in his direction of “The Wiz,” with music and lyrics by Charles Smalls, and Trent Hines and a live band lend an extra layer of character to the production by the recently formed Afterthought Theatre Company.

Cast skills are uneven and range from the very professional Faith Angelise Goins as Dorothy, Mary Louise Lee as a stunning good witch Glinda (Denver Mayor Michael Hancock’s wife), who sings the best-known song, “Believe” and big-voiced Stephanie Hancock as deliciously evil witch Evilline, to some younger actors who had somewhat less polish.

A standout was Terence Ellison as a double-jointed, absolutely charming scarecrow. Dorothy’s other buddies were Curshion Jones as the rusty Tin Man and T. J. Hogle as the cowardly lion. Little dog Toto (Tia Amaral-Elkins) doesn’t get to go to Oz, but she sure can yip as she races across the stage.

Bonnie McIntyre is a delightfully hippie-ish good witch Addaperle and Shelley McMillon comes off convincingly as the addlepated Wiz, dressed in emerald green, of course, and sporting huge spectacles. Both are seasoned performers.

The Yellow Brick Road is a singing/dancing quartet and one sees Munchkins, mice, fine crows, a winged monkey and other Oz inhabitants, with some nicely designed choreography by by Kelly Van Oosbree. Costumes, by Cindy Franke, ranged from wondrous to a bit sketchy, due of course to budget limitations.

Smalls’ score is one I’d like to hear again and the cumulative effect of the production sends one out smiling.

Just know the story first for full enjoyment!

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